Call Us: (888) 285-8605 Cart: Cart is Empty  
Login       
mainMenu_6
Crowd Control News
Tuesday, September 27, 2016 
     
RECENT PRESS:
 
New Case Study from Lavi Industries Highlights Passenger Experience Improvements at DFW Airport
 
Lavi Industries Releases 2015 State of Waiting Line Management Report
 
Lavi Industries to Showcase New Queue Analytics and Merchandising Solutions for Retailers at GlobalShop 2015
 
New Guide Highlights Business Strategies for Improving the Customer Experience with the Latest Queue Management Technologies
 
Lavi Industries to Showcase its Latest Retail Queuing Technology at NRF 2015
 
Lavi Industries strengthens its Queue Management portfolio with new acquisition
 
Lavi Industries Partners With ZenGenius to Present The Future of Retail Store at Cultivate’14
 
New Guide Highlights 10 Tips for Successful Waiting Lines
 
Lavi Industries Launches Queue Builder Web App and Expands Resources for In-Queue Merchandising
 
Douglas County Implements QtracVR Virtual Queuing System to Expedite DMV Customer Service
 
Lavi Industries Introduces Infographic for Planning a Flexible and Effective In-Line Merchandising System
 
New Infographic for Retailers Highlights Why Merchandising Matters in the Queue
 
Art Imitates Life at New York University Fine Arts Exhibition - Crowd Control as Art
 


View Lavi Industries YouTube Channel


December 14, 2010 | For Immediate Release Download Article

Valencia, California – Lavi Industries, Inc., a leader in public guidance queuing solutions, today announced its sponsorship of artist Carlos Reyes’ sculpture “Between Broadway and Boogie,” part of a New York University’s Master of Fine Arts’ exhibition titled “I Like to Relate…But Not to Everyone,” to be shown this week in Manhattan.

Viewed by appointment throughout this week, the NYU exhibition, which includes works from Carlos Reyes, Agnes Lux, Jo-ey Tang, Gary Webb and Leafe Zales, will be open for public viewing on Wednesday, December 15th from 5:00 p.m. to 7:00 p.m., EST. at 50 White Street, New York, New York.

In his exhibition, Mr. Reyes utilizes Lavi Industries’ Beltrac retractable-belt crowd control stanchions as a central element in the work focusing on the impact and meanings of lines, crowd patterning and individual directions in the 21st century. “The audience turned participant’s position is questioned,” says Carlos Reyes, Master of Fine Arts student at New York University; “not only in terms of field of vision and direction, but also as active or passive viewers.”

“Carlos Reyes’ sculpture expands throughout the exhibition space reacting to its focal points, particularly entrance/exit thresholds and vantage points for viewing,” adds Carol Bove, Clinical Associate Professor of Art, New York University. “He uses stanchions, a familiar form of crowd control, which act as a relational director and, at the same time, function visually through a grid structure, recalling modernist painting.”

In today’s urban culture, population growth and centralization of brick and mortar services have spawned the need for innovative foot-traffic public guidance systems. In Mr. Reyes’ sculpture, art imitates life: raising questions that stretch, like airport check-in lines, to the examination of individual and societal interactions, priorities and directions.

 
See All Press Releases
Phone Orders Call Now: (888) 285-8605
Web Site v1.0 (Build 7.3) (07/21/2016 01:37 PM) / Ready-Flex-Go v1.5 (Build 2.0)